PHILOMENA
UK, 2013
Running Length: 98 minutes
Cast: Judi Dench, Steve Coogan, Sophie Kennedy Clark, Mare Winningham
Director: Stephen Frears
Screenplay: Steve Coogan, Jeff Pope
Cinematography: Robbie Ryan
The subject matter of Philomena may lead
some to believe they’re heading for a gruelling couple of hours. This could not be further from the
truth.
Dench plays the titular Philomena, a woman
who survived years of servitude in a Magdalene convent after giving birth out
of wedlock. Fifty years later, a chance meeting between Philomena’s daughter
and newly disgraced political aide, Martin Sixsmith leads the pair on a journey
to find the son Philomena lost so long ago.
Sixsmith is initially unexcited by the idea
of investigating what he considers a fluff piece, but after meeting Philomena,
something about her honesty and wit intrigues him. And once he starts researching her story, he becomes more
and more excited about what he finds out about the child. The paper-chase leads them to the US
where they are faced with some shocking revelations.
The joy of this film is in the way the
viewer takes the journey alongside Sixsmith and Philomena. They are a mismatched pair, he a lapsed
Catholic who embraces his atheism with as much fervour as Philomena still
embraces her Catholicsm. He’s
cynical and world-weary while Philomena finds such things as a breakfast buffet
novel and exciting.
There are clear villains in the nuns who
foil the pair at every turn. They
initially tell them that all the convent’s records were destroyed in a fire,
but it soon becomes clear that what they’re hiding is far more sinister. Babies were sold to families in the USA
for large sums of money, including one sold to film star Jane Russell. I won’t go into detail about what happened
to Philomena’s son here because it would ruin the story for you, but it is both
poignant and startling.
Dench gives a thoroughly natural and nuance
performance as Philomena. She’s
damaged, witty, tragic and upbeat all at the same time as being an utterly
radiant presence on screen. Steve
Coogan is a worthy foil too. I’ve
never liked him as an actor, but in this film I could almost warm to him.
While often desperately sad, you will not
leave the theatre feeling depressed.
Philomena has enough wit and charm to undercut the heavier moments, not
depriving them of their depth and meaning, but offering levity and hope for the
future.
Great film, my hubby didn't like it.
ReplyDeleteNice to meet and connect through the atozchallenge. http://aimingforapublishingdeal.blogspot.co.uk
You never liked Coogan? He's awesome! Best cinematic Tristram Shandy ever! Best star to a sequel to Hamlet ever! And so on (I'm sure). And Dench is indeed reliable.
ReplyDeleteDench is such a great actress. The older Brits, like her, Hopkins, and Mirren always impress me. :)
ReplyDeleteI was interested in this movie, but not enough to pursue it until I read your review!
ReplyDeleteAs I write freelance reviews, it is really really great to read a good review by SOMEONE ELSE! And you are very good!
I review books for the most part, although I adore movies, so reading your entries has left me impressed by your voice as a reviewer, and fascinated by whatever you have chosen to discuss. Thank you! jean
I'll be borrowing Philomena and Rock of Ages from the library. Thanks for the insights!
ReplyDeleteGreat review! I felt the same way - there are sad moments, but you don't leave the theatre depressed at all. The lead actors are great!
ReplyDelete