IWSG - June

 It's the first Wednesday of the month, so it's time for the Insecure Waters Support Group!

Thanks to this month's hosts, Victoria Marie Lees, Sarah Foster, Natalie Aguirre and C. Lee McKenzie!

This month's question is a good one!

Do most of your story ideas come from one place (the news, dreams, etc.) or do they hit from all over the place?

My ideas come from all over the place.  Things I read, movies I see, stuff that happens in real life, music I listen to.  Anything and everything can be the inspiration for a story.  

For example, I watched a documentary about something that happened at the 1984 LA Olympics and that ended up sparking the idea for a novella I wrote for an anthology.

Another documentary, this one about a musician I used to know, ended up sparking The Sidewalk's Regrets.  Weirdly, it was one line someone said that set the whole idea into motion, but when I went back and watched the doco again, I couldn't find the line.

Stumped was inspired by a talk given by an Australian sex worker.  An Unstill Life came from a newspaper article about a boys' school that wouldn't allow same sex couples to attend a school dance.

Chasing the Taillights was supposed to be an adult book inspired by something that had recently happened in my life, but when I started writing it, I needed to understand how Lucy and Tony came to have the relationship they had at the beginning of that story.  And how they came to have that relationship ended up being Chasing the Taillights. 

My Murder Year was a response to the legalizing of same-sex marriage.  Standing Too Close was one last shot at trying to tell a story that's haunted me since I was twelve.  Turns out, all the other times I tried to write it, I was getting too close to what actually happened in real life.  I had to use a lot of the truth and move it sideways to be able to actually finish it.

A Stranger to Kindness came out of research I did for Standing Too Close. I talked to some people about foster care and while some of them had excellent foster parents and being in foster care was the best thing for them, others had less stellar experiences and I wanted to explore what that might look like.

My most recent book, Street Smarts, came from working with an organization that uses food waste to provide restaurant-quality meals for people who can't necessarily afford to eat out or to eat at all.

A lot of the time, the ideas aren't conscious decisions. It's like the characters move into my head and start telling me their story.  I often have to trace things back after I've written the book to find where it all began, but I can usually figure it out.

Where do your story ideas come from?